![]() The ease of operation for getting a mix dialed in is very quick and efficient.” We have a preset for a trio, and for larger bands. “Let’s say we have an artist back in the green room who spontaneously decides to go out and play a few tunes for the crowd on a Tuesday afternoon,” says Agnesi. The TouchMix-30 Pro is configured similarly to handle spur of the moment jams. But given the wide variety of people using it, things needed to be simpler, so we just set up an interface with presets.” The Q-SYS touchscreen interfaces offered that flexibility, as Justin Eby explains: “Originally we programmed a lot of advanced functionality into the touch panels, such as a little mixer where you can adjust everything. The signal is monaural because first, the rooms are oddly shaped and second, people are walking around.”ĭespite the system’s structural complexity, it needed to be simple to operate by employees who might not be trained sound engineers. Each zone can contain any number of speakers. “One output equals one zone - think of a home theater surround system, only with the stems being different rooms instead of channels in a movie. “With 70-volt, it’s easy to add and subtract speakers without maxing out the amp,” notes Eby. Each of its eight channels feeds the speakers in a different room via a 70-volt line. Powering the satellite areas is the job of the CX-Qn 4K8 amp. So, it’s very cool that the panels let us dial in each room to its specific needs.” “You want vibe in the other rooms, too, but you don’t want it to overpower. “Obviously, you want the main space to vibe,” says Mark Agnesi. Even the stage lighting is controlled over Q-SYS.”Īt the same time an artist is playing the main stage, guests might be auditioning a guitar in one of the surrounding rooms or even choosing the exact wood for their instrument from the motorized displays in the custom shop. But, since the Core 110f has DSP that handles room tuning EQ and all the time delays for the satellite speakers that is totally unaffected by anything happening at the console level and engineers don’t have to reinvent that wheel at each show. If it’s Dante, we have a preset that gives them direct control of every one of the main speakers. If a company sets up a larger-format mixing console, they can plug into any of the Attero Tech patch points via analog or Dante. Once the place opened, they saw the potential for big-name artists and larger events, for which they’ve been bringing in production companies. “The TouchMix, with its input presets and ease of use, is perfect for that. “When Gibson first approached us, they thought the stage was going to be mainly a singer-songwriter affair with smaller bands,” Eby continues. “We needed it to be scalable and to operate around the clock,” elaborates Mark Agnesi, Director of Brand Experience at Gibson, “from playing our master soundtrack of Gibson artists during the day to transforming the Garage into a full-on concert venue at night.” “Gibson wanted to be able to do any scale of event within the room capacity and had so many use cases.” “This system was a fascinating challenge and we’re delighted with how it turned out,” says Justin Eby, who headed up the design for Systems Innovation. Strategically placed Attero Tech panels provide both input to the entire system, with volume and audio source independently controllable in each room from Q-SYS Touch Screen Controllers. In parallel, the Core feeds satellite rooms via an eight-channel CX-Qn 4K8 power amp driving passive speakers including 20 surface-mount AD-S.SAT and five AD-S.SUB, two AD-P4T pendant speakers, and two AD-S802T column speakers, as well as six CP12 portable, active speakers. ![]() The stage - featuring powered K12.2 and K10.2 loudspeakers with KS212C cardioid subwoofers - can receive audio from the Core or the TouchMix-30 Pro digital mixer. To ensure a seamless sonic experience throughout, Gibson turned to Nashville integrator Systems Innovation, who installed a complete QSC solution, including a Q-SYS Core 110f processor at the system’s heart to distribute audio. The iconic instrument maker’s new experience center features a central concert stage ringed by retail of all Gibson brands, repair and restoration, and even a custom shop where customers can work with a luthier on a bespoke guitar. Nashville, TN (September 30, 2021) - Visiting the Gibson Garage should be on any guitarist’s bucket list. ![]()
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